10 Best Car Photography Lenses Recommended By Professionals (2022)

You probably know that you need your car photography lens to get the right shot, but with all of the different lenses available, it can be tough to choose just one. Which one should you get? This guide will show you the 10 best car photography lenses on the market today, so you can find out which lens is best for your specific needs!

Comparison Chart of the Best Car Photography Lenses

Best Car Photography Lens Features

There are so many different lenses available that it might be difficult to decide which one to use. The numerous sorts of lenses will be discussed in detail, as well as how they operate with different camera brands and models. We’ll also provide recommendations on the types of images that each of these lenses is best suited for car photography.

  • A perfect match for α7 series, 35mm full-frame E-mount cameras, Outstanding optical performance in a versatile 35mm focal length, ZEISS quality delivers superior contrast and resolution throughout the image
  • Filter diameter (mm): 72 mm.Minimum Focus Distance : 098 ft (03 m), Maximum Magnification ratio : 018x, Focal-Length : 138 in
  • Bright F14 maximum aperture, Aperture ring designed for still or movie shooting, Corner to corner sharpness w/Advanced Spherical elements;High reliability in harsh conditions
  • Dust and moisture resistant design, 9-blade circular aperture contributes to gorgeous bokeh, Direct Drive SSM (DDSSM) for quiet, precise focusing
  • Focal Length Range : 24 70 mm
  • Minimum Focus Distance : 1.2 ft.( 0.38 m)
  • Exceptional low light performance
  • Lens Construction (Elements/Groups): 15/11 (3 ED glass elements, 3 aspherical lenses and 1 Nano Crystal Coat)
  • Sony FE 24-70mm f/2.8 GM E-Mount Lens - ALC-F82S Front Lens Cap - R1EM Rear Lens Cap for E-Mount Lenses (Dark Gray) - ALC-SH141 Petal-Shaped Lens Hood - Lens Case - Sony 1 Year Limited Warranty - 82mm Filterc Kit (UV/CPL/ND) - Flex Lens Shade - Cleaning Kit - Capleash II - Lens Cleaner - Software Package
  • Brand: Sony
  • Lens Series: None
  • Color: Black
  • Lens Type: Wide Angle to Telephoto Zoom
  • Constant f 2.8 Maximum Aperture throughout Entire Zoom Range.
  • Canon’s Air Sphere Coating (ASC) Minimizes Ghosting and Flare.
  • Optical Image Stabilization at up to 3.5 Stops of Shake Correction.
  • Fluorine Coating on Front and Rear Elements to Help Reduce Smears and Fingerprints.
  • Highly Resistant to Dust and Water, and Improved Durability Even in Harsh Conditions. Inner Focusing System with Ring Ultrasonic Motor. Full-time Manual Focus. One Fluorite Element and Five UD Elements for High Image Quality. Minimum Focusing Distance of 3.9 feet, 1.2 meter. Diagonal Angle of View: 34° - 12°
  • What's Included : EF70-200 millimeter f:2.8L IS III USM , Lens Cap E-77II, Lens Dust Cap E, Lens Hood ET-87, Lens Case LZ1326
  • G Master design combines extraordinary sharpness and smooth bokeh, Constant F2.8 max aperture maintains exposure and depth of field.Weight 1480 g (without tripod mount)
  • Class-leading min. focus distance of 37.8” / 0.25x max. mag, Dual floating focus system for high AF speed and precision, XA, ED/Super ED elements and Nano AR Coating for superb resolution
  • Aspherical elements & 11-blade circular aperture for gorgeous bokeh, Min. focus breathing and par focal design ideal for video, Direct coupled mechanical focus system for precise manual focus
  • Rigid construction with constant lens length during focusing and zooming, High performance Optical Steady Shot Image stabilization, Dust and moisture resistant for robust reliability
  • Nano AR coating suppress reflections, flare and ghosting, XA (extreme aspherical) element with 0.01 micron surface precision
  • Type of lens: G-type AF-S Zoom-NIKKOR lens with built-in CPU and Nikon bayonet mount
  • Focal Length Range : 70 -200 mm, Minimum Focus Distance- 4.6 ft.(1.4 m)
  • Dimensions: Approx. 87 mm dia. x 205.5 mm extension from the camera’s lens-mount flange
  • Weight: Approx. 1,540 g (3.4 lb)
  • Compatible Format(s) - FX, DX, FX in DX Crop Mode 35mm Film
  • FX-format, ultra-fast classic wide-angle lens
  • Focal Length: 35 mm, Minimum Focus Distance - 1.0 ft
  • Nano Crystal Coat, Optimized for edge to edge sharpness on both FX and DX-format D-SLRs
  • Aspherical Lens Element. Rear Focus (RF)
  • Maximum angle of view (DX-format): 44°, Maximum angle of view (FX-format): 63°
  • FX-format, ultra-fast classic wide-angle lens
  • Focal Length : 35 mm, Minimum Focus Distance - 1.0 ft.
  • Nano Crystal Coat, Optimized for edge to edge sharpness on both FX and DX-format D-SLRs
  • Aspherical Lens Element. Rear Focus (RF)
  • Maximum angle of view (DX-format): 44°, Maximum angle of view (FX-format): 63°
  • Consummate image quality across the entire frame from edge-to-edge
  • Exceptionally reliable, fast and accurate AF
  • Next-generation BBAR-G2 Coating
  • Vastly improved highly durable Fluorine Coating
  • Moisture-Resistant Construction
  • Locking lens hood for precise positioning
  • Wide angle lens for Canon APS C cameras (equivalent to 38 millimeter on a full frame camera)
  • Focal length & maximum aperture: 24 millimeter 1:2.8, maximum magnification of x0.27
  • Slimmest and lightest lens of the EF S series
  • Circular aperture (7 blades) delivers beautiful, soft backgrounds
  • Full time manual focus allows manual focus adjustment while in One Shot AF mode
  • Minimum focusing distance of 0.16 meters /0.5 feet
  • This product is compatible with all non full frame Canon EOS digital SLRs
  • Large F1. 8 maximum aperture enables beautiful defocusing effects
  • 7-blade circular aperture creates beautiful defocused bokeh
  • Compact, lightweight design Ideal for full-frame e-mount cameras
  • Aspherical element controls spherical aberration and coma
  • Double-gauss configuration suppresses field curvature & distortion

How to Choose the Best Lens for Car Photoshoot?

There are lots of lenses that can be used for car photography cameras. There are thousands of different lenses to choose from and each one is designed to serve a different purpose. That’s why it’s important to look at things like focal length, aperture, weight, and size to narrow down your choices.

Here’s a quick overview of each lens type that is often used for automotive photography.

Types of Lens for Car Photography

1. Wide-Angle Lens:

A wide-angle lens (sometimes referred to as standard angle) is typically 14mm or less. It gives you an extremely wide view, but also makes objects appear larger than they actually are and somewhat distorted…which might be exactly what you want!

Wide-angles are great if you’re looking to capture expansive landscapes.

One drawback: these lenses have very limited depth of field, so it’s not ideal for shooting cars up close with blurry backgrounds…though if done right, it can be a very cool/unique effect!

You may also hear people refer to ultra-wide angles; ultra-wide angles start around 10mm and go all the way down to fisheye lenses which start around 7mm.

Ultra-wides make everything seem even more stretched out compared to wide-angle lenses, though in some cases they can create some cool effects too.

As a general rule of thumb: generally speaking, 8mm – 16mm is considered wide-angle territory; anything narrower than that is considered ultra-wide territory, and anything wider than that is sometimes called fisheye territory.

2. Zoom Lens

A zoom lens, as its name suggests, allows you to adjust your focal length—in essence, zoom in and out. With an appropriate lens, you can shoot at any desired distance and achieve a particular shot. The overall quality of different zoom lenses varies by price point; don’t assume that expensive lenses are always better just because they cost more. Remember: good photography is about more than a $3,000 lens! Regardless of whether you have a budget to work with or not, there’s almost always something decent available; it all depends on what you need to take photos like yours look better.

The type of lens that people typically think of when they think of a photography lens is a telephoto lens. In actuality, there are three main kinds of photography lenses: wide-angle, standard, and telephoto. The telephoto is often considered to be a type of zoom lens, but in fact, it’s not—it’s an optical instrument designed for great magnification power.

3. Prime Lens

A 35mm or 50mm prime lens is great for automotive photography. The focal length allows you to get in tight on a car, and because of their wide apertures, they’re ideal for shooting at night. For more information on selecting an appropriate lens and technique, check out our guide to shooting cars at night.

If a fast maximum aperture isn’t as important to you, consider pairing your DSLR with one of Nikon’s 1 NIKKOR lenses (or one of Canon’s EF-S lenses). These are designed specifically for cameras without full-frame sensors (like most DSLRs) and often have longer focal lengths.

That extra zoom can come in handy if you find yourself shooting from farther away from your subject. While these won’t have nearly as shallow of depth of field or allow for super long exposures, they are affordable compared to high-end primes.

5. Budget Lens For Beginners

When it comes to taking pictures of your car, there’s no doubt that one of your biggest concerns is what lens you should be using. When it comes to budget lenses, you might not know where to turn and how much performance you can expect from a cheap glass.

Fortunately for you, we’ve done all of the research and came up with a shortlist of our favorite budget lenses—lenses that will allow you to take some amazing shots while spending as little money as possible.

As many different sorts of automobiles as there are various genres of photography, there are about as many distinct types of automotive photography. You may take portraits of motionless automobiles or action photographs of the vehicles as they race around the track in different directions. The best lens for you will be determined by the subject matter you’re photographing.

Choosing Right Focal Length For Car Photography

The following are the three most often used lenses for automobile photography:

1. 35mm f/1.4

If the automobile is stationary, there is no better lens to use than a 35mm camera. It provides a broad field of view for photographing the complete automobile as well as the backdrop without requiring you to stand too far away. Furthermore, since it is a prime lens, you may shoot at wide apertures (low f-stops) to get a bokeh effect in the foreground.

2. 24-70mm f/2.8

The 24-70mm is a fantastic all-around lens for vehicle photography because of its versatility. With a single lens, you may capture close-ups or wide-angle photos. With its zoom lens and ability to make fast changes, it is great for filming automobiles in motion (as long as they aren’t too far away from the camera).

3. 70-200 f/2.8

If you’re photographing from a long distance, such as at a racetrack, a 70-200mm lens will allow you to zoom in on the action while remaining at a safe distance. Just be sure to keep your shutter speed as quick as possible to avoid motion blur.

Final Words:

Since we can’t all shell out for professional equipment, knowing which camera lens is best for car photography comes in handy. Many types can be used to capture great images of vehicles, ranging from smartphone cameras to high-end DSLRs.

​There are a variety of lenses used in car photography, and they each have different characteristics to suit various situations. Choosing which lens to use depends on how close you can get to your subject, what you want in your shot, and what type of shutter speed you will be using.

Ultimately it comes down to three things: where you are standing, what you want in your shot, and how fast or slow a shutter speed you would like.

Special Thanks to Peoples and Resources: 

  1. Jacques Henri Lartigue
  2. RENE STAUD
  3. Aaron Brimhall
  4. Brandon “954mm”
  5. http://www.artcenter.edu/
  6. https://www.uvu.edu/marketing/photography/
Categories Camera Tags Car Photography , home

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