Best Nikon FM2 Lenses Recommendation & Buying Guide

For landscape, portrait, and action photography, the Nikon F2 is an excellent choice. You’ll discover a handful of lenses that you’ll use over and over as you graduate from beginning cameras. The Best Nikon F2 lenses for various types of photography and circumstances are included in this list.

Here is the list of the best lenses for the Nikon FM2:

Eitors Coice Nikon 20mm f/1.8

Standard Lens – Voigtländer Nokton 58mm f/1.4 Lens

Wide Angle Lens – Nikon Nikkor 24mm f/2.8 Ai-s

Portrait Lens – Nikon DC-Nikkor 105mm f/2 D

Zoom Lens – Vivitar Series 1 70-210mm f/3.5

Macro Lens –  Tamron 90mm f/2.8

There are various types of lenses. Cheap lenses are usually no good but they are a bargain for the price. They often have a soft focus, no sharpness, or too much distortion. Good lenses are expensive and are extremely sharp. They can be complicated and require a lot of time to learn. A good lens can make a good photo great, a bad one can make a good photo horrible.

The best lenses are classified according to the type of photography they are most usually used for. There are multiple recommended options to choose from, all of which fall into various pricing ranges.

Best Nikon FM2 Lenses (Indept Review)

The FM2 will work with any Nikon F-mount Ai, Ai-S, AF, or D series lens. It will not function with any lens that has an electronically controlled aperture, such as the G-series lenses.

Non-Ai F-mount lenses should not be used because they can cause harm. How to identify ‘non-Ai’ lenses can be found on the Nikon F-mount lens and camera compatibility website.

Best Nikon FM2 Lenses (Overall) – Nikon 20mm f/1.8

Nikon’s sharpest fixed ultrawide lens is the new 20mm f/1.8 FX. It’s not only quicker than any prior Nikon ultrawide lens or zoom, but it’s also ultrasharp (even wide-open), focuses super-close, has no ghosts, excellent sun stars, and just minor distortion.

You may read the remainder of this review if you want, or you can simply buy one now and start shooting as I did. There’s nothing wrong with it; it even works well with two stacked filters on full-frame with no vignetting!

It’s razor-sharp, lightning-fast, and very tiny and light. Since the original 20/2.8 AI-s lens of 1984, Nikon hasn’t altered the optical design of its other 20mm ultrawide lens in almost 30 years, thus this new 20/1.8 is a genuine eye-opener in terms of what Nikon has learned in that time. By comparison, any old 20/2.8 lens seems shattered, especially at high apertures (the AF, AF-D, and AI-s lenses all have the same optical design).

You may override manual focus at any moment by turning the focus ring. The digital DF, D4s, D810, D750, and D610 from the greatest DF and D610, to the cheapest D40, D40x, D60, D3000, D3100, D3200, D3300, D5000, D5100, or D5300 from Nikon ever made everything flawlessly.

It’s also ideal for the F6, F100, F5, N80, and N75 on quality or new AF film cameras.

In-depth Review

  • It didn’t autofocus as like-new AF 35mm cameras (N55), but everything else works well if you concentrate manually. These cameras include in-finder focus confirmation points to aid you even if you lose your autofocus.
  • The AF cameras N90’s, N70’s, and F4’s will precisely concentrate and measure in the late 1980s. You will have Program and Shutter Priority Modes, but you will not have Manual or Open Priority since you cannot set the camera or the lens aperture.
  • You push the N2020, N6006, and N8008 with the oldest AF cameras. There is no AF and confusing modes of exposure. Manual focus and electronic focus indicators are excellent.

Standard Lens – Voigtlander Nokton 58mm f/1.4 SL II Lens

This lens has been built and constructed from ancient times when lenses were generally fashioned from brass and meant for a lifetime. Due to the all-metal construction and the metal focal ring, this lens feels quite robustly made. It seems like it weighs a bit, it weighs just 320g and makes the Nikon D600 body a great accompaniment for testing.

The focusing ring is silky and smooth with the correct strength, making it pleasant to adjust. The close focal point for this lens is 45cm, which for a lens with this focal length is rather average.

At f/1.4, the sharpness in the center of the structure reaches outstanding levels, even though the performance at the margins of the structure falls far behind, providing only average clarity. Stoping down enhances frame performance, with sharpness peaking in the center of the frame between f/4 and f/5.6. The clarity of the framing is remarkable if we stop between f/5.6 and f/11.

It aspires to be like a great deal in comparison with Nikon’s 58mm AF-S lens, which is around $2000, despite the fact that Voigtlander’s lens lacks self-centeredness. The pricing appears less outstanding compared to the Nikon 50mm f/1.4 standard which costs about $390.

Wide Angle Lens – Nikon Nikkor 24mm f/2.8 Ai-s

  • Nikon NIKKOR 24mm f/2.8 AIS Wide Angle Manual Focus Lens - Front & Rear Lens Caps - Nikon 5 Year USA Warranty (1 Year International + 4 Year USA Extension)
  • Brand: Nikon
  • MPN: 1416
  • Lens Series: Nikon AI-S
  • Color: Black

This was a highly popular lens in the past. It’s crisp, small, and well-designed. Like other Nikon AI lenses of its period, it is a mechanical building marvel.

How nice is it? How good? Nikon’s style is made now in 2021. Back in the 1980s, Galen Rowell produced many of his most memorable pictures using his lens. Why> It’s tiny and pointy. Galen preferred to 24mm f/2 quicker because Galen believed the f/2 version was more flaring.

Nikon also produces these fantastic rates in a less expensive plastic mount nowadays than the 24mm f/2.8 AF-D Nikon.

When it comes to Nikon cameras, this manual focus Nikon 24mm f/2.8 AI-s performs wonderfully.

From the first Nikon F of 1959 through the FM3a and FM-10 of today, it works flawlessly with every manual focus Nikon ever manufactured.

The “Non-CPU Lens Data” menu option allows you to set 24mm and f/2.8 on the Nikon D4, the Nikon D800E, and the Nikon D600. This will provide complete color matrix metering, EXIF data, and a finder readout of the aperture. Both aperture-preferred and manual settings on these cameras perform nicely.

In addition, it adds Matrix metering to the FA, the FA2, the FA3, and the FA4 and F6.

With this lens, the metering systems of cheaper digital cameras (D90, D5100, N80, etc.) and film cameras will not couple (or work at all). You’ll have to guess the exposure using the rear LCD or an external meter, or get the tiny Gossen Digisix meter and hot shoe adapter, or use the free Pocket Light Meter app to the meter by hand.

See Nikon Lens Compatibility for more information on your camera’s lens compatibility capabilities. For this lens, scroll down to the “AI, AI-s” column.

Best FM2 Portrait Lens – Nikon DC-Nikkor 105mm f/2 D

  • Lens not zoomable
  • Portrait lens with Nikon's exclusive Defocus Control
  • Change the appearance of out of focus elements so that they appear softer or coarser
  • Rear focusing for fast AF operation. Closest focusing distance : 0.9m/3 ft
  • Fast, medium telephoto lens featuring Defocus-image Control
  • Rounded diaphragm opening makes out-of-focus elements appear more natural

As one of Nikon’s greatest lenses, the AF 105mm f/2 DC is a true classic. Ever since Nikon’s initial 105mm rangefinder lenses, this is the greatest one yet.

In terms of sharpness, the Nikon 105 DC is one of the sharpest lenses ever produced, and it’s constructed in Japan out of metal, not plastic.

The 135mm f/2 DC is very comparable to the Nikon 105 DC. There are few lenses that can match Nikon’s 105mm F/2.8 Micro Nikkor in terms of sharpness, and this DC lens excels in that regard, as well as having an adjustable and better bokeh.

There’s also a built-in metal hood that can be locked in place by screwing it down. When the hood is not stretched, the glass is well receded. It takes a little fiddling to get into manual focus mode, but once you do, it’s a dream come true.

When it comes to Nikon FX, 35mm, and DX cameras such as the F6, D3X, and D7000, this 105 DC lens is a dream come true. Due to the fact that it includes a true manual-focus ring, it works perfectly with manual-focus cameras like the F2AS, F3, and FA.

Nearly every Nikon film and digital camera manufactured since 1977 may be used with the 105mm f/2 DC AF. As long as you add a coupling prong to the diaphragm ring, it’ll work with any and all Nikons, dating back to the 1959 Nikon F.

Except for not being able to autofocus with the cheapest of cameras (D40 / D40x / D60/ D3000 /D5000 / D5100), everything else works flawlessly if you manually focus. To assist you, these cameras include focus confirmation dots in the viewfinder.

See Nikon Lens Compatibility for more information on your camera’s lens compatibility capabilities. Take a look at this lens’s “AF, AF-D” column.

Because the CPU connections will be damaged, Nikon recommends that you should not utilize the old extension rings such as K1, BR-4, BR-2, or K2 (PK-1, PK-11). As an alternative, utilize contemporary PK-11A or BR-6 rings, or BR-2A rings, instead. For the F3AF, the 105DC will not operate with the DX-1 AF finder.

Zoom Lens – Vivitar Series 1 70-210mm f/3.5

In spite of its age, this antique zoom lens is constructed like a tank, has a brilliant F3.5 aperture, and delivers amazingly crisp pictures. The manual zooms on contemporary cameras aren’t as helpful to me as old prime lenses, but this is a nice vintage zoom, and it’s not too expensive on the secondhand market.

Visibly, there are six variants of the manual focus Vivitar Series 1 (VS1) 70-210 zoom lens (and their manufacturers can be identified by using their serial numbers). Interestingly, Vivitar was never a lens manufacturer in the traditional sense; instead, it contracted with several lens makers for the production of lenses to its specifications, which it then marketed under the Vivitar name.

Putting together this evaluation required a crazy amount of time and effort. Because the air was too polluted for two weeks in September, I was unable to film my normal samples.

With the exception of the focus ring going backward, the optics and handling of the camera are both superb.

Because Vivitar provided these lenses with attachments for every brand of camera, the focus ring turns the incorrect direction, which is a major hindrance to use. Vivitar was too cheap to utilize a new focus mechanism for its Nikon mount version, thus Nikon customers are screwed.

Imagine the tiny electronic focus arrows on AF Nikons like the Nikon D3 and F6 indicating which direction to turn the bottom of the focus ring.

Macro Lens – Tamron 90mm f/2.8

  • Hood Included
  • Case Included
  • Built in motor designed for use with Nikon Cameras
  • Lens not zoomable

As implied by the lens’s name and 90mm focal length. The Vivitar 90mm f2.8 macro lens was a big success when it was first introduced. And it has managed to keep its reputation among vintage lens users. The 90mm focal length allows you to go near to your subject and capture it in all its beauty.

The Tamron 90mm f/2.8 macro is a cult favorite due to its sharpness. In this range, the lens is sharp and free of chromatic aberration or distortion.

The Tamron 90mm is the sharpest of the 6 antique macro lenses I tested from 90mm to 105mm.

The lens is so light that it doesn’t need an extension tube. You’ll have a 12.7cm (5 “working distance.

The lens has outstanding build quality, which is why so many have survived so long without damage. Although many Tamron 90mm f2.8 lenses on the market have had components changed, the majority of lenses are in perfect operating condition with all original parts.

12.7cm “Its operating distance is 2.7cm greater than the Tamron 90mm f/2.8 SP Di. A few centimeters shorter than the 105mm macro lenses I tried.

I used it on a Nikon D750 and was pleased with the results. For macro, I focus the camera and adjust the magnification. I often photograph still life so my subjects don’t have to move.

The focus ring may be a problem when shooting insects or tiny animals. The focus ring requires a lot of rotation to concentrate. There will be no issues focusing on simply shifting the camera.

A 105mm lens weighs approximately 100g (3.5oz). So it’s a nice lens to have about.

Is the Nikon FM2 compatible with Nikon’s F-mount?

The Nikon FM2 is equipped with a Nikon F-mount. This mount has been in use since 1959 when it was introduced. Over time, metering data, autofocus, electronic aperture control, and CPU connections have been included.

When using the FM2, use manual focus lenses marked Ai-S or Ai. Cameras can properly measure with these lenses because of their meter coupling groove.

The Nikon FM2 will be damaged if you try to use non-Ai lenses. The Nikon F-mount lens and camera compatibility page explain the variations between lenses.

Typical Lens Cap Dimensions

The standard lens cap and filter ring thread diameter is 52mm. Keep in mind that lenses with large front elements will need bigger lens covers and filters to protect them from the elements.

Because you just need to purchase one set of filters, using a standard filter thread diameter is a good idea.

Comparing Non-Ai vs. Ai & Ai-S lenses

The Meter Coupling Prong was used on Nikon F-mount cameras prior to the introduction of the F-mount. There’s a Meter Coupling Ridge in the Nikon FM2.

Both types of meter coupling may be found in Nikon Ai lenses manufactured around the time Nikon switched to Ai lenses.

There is no notch carved out at the base of non-Ai lenses, thus putting one on the FM2 will harm it.

Final Verdicts

There is no doubt that Nikon FM is one of the best 35mm film cameras ever made. In 1977, the Nikon F Mount was introduced, making it one of the most durable cameras ever made. When considering a Nikon FM, we recommend taking a closer look at the lenses listed below the break.

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